词法:一种有“意味”的形式——以苏轼、秦观为例

Lexical:A form of "mean"——In the Case of Su Shi,Qin Guan's Ci Poerty

宋代词人苏轼、秦观无论从题材内容还是形式上,都拓宽了词的艺术领域,使得宋词的创作达到了"前无古人后无来者"的境界。虽苏轼与秦观的关系密切,但两人的"词法"别具一格。苏轼的词法是"以诗为词"、秦观的词法是"以赋为词",它们在后世看来只起到"装饰"作用的而无具体含义。在他们的作品中不仅以独特方式的排列、组合起来的"形式"是"有意味的",还包括词体性质、复杂的观念、想象的意义在内,也是一种有意味的形式,它能够激起人们的审美情感,主宰着作品的生命。从秦观、苏轼两人的"词法"创作特点出发,人们能够对两人的"词法"创作有一定的客观认识和定位。

The song dynasty poet Su shi, Qin Guan widen art in the area of word, no matter from the aspect of content and form, which makes the creation of ci poetry of Song reached an ＂unprecedented＂ state. Although Sushi and Qin guan are close, each of them has uniquelexical style. Su shi＇s lexical method is ＂to the poem as word＂, Qin＇s lexical method is ＂fu as the word＂ namely, they are later be consideredas the role of ＂decoration＂, and with no specific meaning, while in their works,it is an unique way of arrangement and combination of ＂form＂ ,and also includes the liquid property, complex con- cept, the meaning of the imagination, is also a kind of form full of meaning, it can arouse people＇s aesthetic emotion, domi- nated the work life. From Qin, Su shi＇s two ＂lexical＂ creative characteristics, we will be able to have certain objective understanding of ＂lexical＂ creation and positioning.