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陈克华:一个“败德”的身体测绘学家

Chen Kehua:A "Crusade" Body Surveyor
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摘要 陈克华以惊世骇俗的身体表达成为华语诗界的标志性诗人。身体美学是陈克华诗写的出发点和最终旨归。他对肉体尤其是男体做了全方位的测绘,试图打破符号和意义给身体设定的陷阱,通过肉身化呈现自我主体。他以"败德者"的姿态,来审视自我,突破性别阈限,拆解异性恋霸权,释放自己的生命激情,倔强地表达自己的立场。在本质意义上讲,他的诗歌创作是其纳西色斯情结的外化。陈克华有待于以身体的"在场"为基点,从"个体化生存"拓向"社会化"生存,在更大的场域中建构起诗人的自我形象。 Chen Kehua has become a symbolic Poet in Chinese Poetry for his shock--the world body expression. Body aesthetics is his starting point as well as ultimate goal. He has made all--around measurements on human body, especially on male body, trying to break the trap on body set by symbols and meaning, so as to show the self--subject with flesh and blood. With an attitude of a "defeating virtue" practitioner, he observes himself, breaks through gender threshold, dismantles heterosexual hegemony, releases his own life passion, so as to stubbornly expresse his own standpoint. In the essential sense, his poetic creation is the externalization of his Narcissus complex. Chen Kehua has expected to establish poets" self--image in a larger scale, based on "presence" and from "individual survival" to "social survival".
作者 赵思运
出处 《长沙理工大学学报(社会科学版)》 2017年第3期75-83,共9页 Journal of Changsha University of Science and Technology:Social Science
关键词 陈克华 身体美学 纳西色斯情结 异性恋霸权 同性恋 Chen Kehua body aesthetics Narcissus complex heterosexual hegemony homosexuality
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