摘要
词学界喜欢将李煜与陈子龙对比,认为两人词风甚为接近。但由于身份的不同及创作理念的差异,李煜与陈子龙的词作在相似词风中亦呈现出不同的个性特点。李词造语秾艳富丽而陈词淡雅清丽,李词达情直率赤诚而陈词婉转蕴藉,李词传递出的是末代帝王痛悔无奈的生命悲慨,陈词则唱出了凄婉的英雄悲歌。李词前后期风格差异明显,后期作品境界尤大,以纯然赤子之心书写的人生悲剧独绝千古,陈词则前后期风格则较为一贯,"香草美人"的兴寄之思、忧国忧民的士人责任感贯穿各个创作阶段。
Ci research circle enjoys comparing Liyu's works with Chen Zilong's, and it is widely believed that their writing style are very close. With the difference between their identities and the discrepancy between their creation concepts, Li Yu and Chen Zilong present their own distinct characteristics and features in the composition of Ci, a type of classical Chinese poetry, despite some similarities between their creation styles. Li's use of words is gaudy and sumptuous and Chen's lucid and elegant; Li's expression of emotion is frank and utterly sincere and Chen's mild and tactfully restrained; Li conveys the melancholy and grief of the last emperor of a dynasty lamenting his helpless plight and Chen chants the sad elegy of heroism in a declining time. Li's earlier and later works show clear differences in style, with the pieces of his later period presenting greater realms and his unique philosophic thoughts on life wept with his pure at tachment and devotion to his motherland; while Chen keeps a relatively consistent style throughout his creating career, applying the technique of Xing-- ji (metaphor and contrast) of "sweet herb and graceful beauty" (loyal vassal and his lord) and conveying the sense of responsibility of a scholar caring for the fate of his nation in each of his creation stages.
出处
《长沙理工大学学报(社会科学版)》
2017年第3期136-142,共7页
Journal of Changsha University of Science and Technology:Social Science
关键词
李煜
陈子龙
词
异同
Li Yu
Chen Zilong
Ci
differences and similarities