境取幽深 情况高哲——萧云从诗画的美学取向

Deep and Quiet in State,Lofty and Philosophical in Emotion——Aesthetic orientation of Xiao Yuncong's Works

萧云从身为明末遗民,诗学、画学兼擅,一生创作了许多代表性的诗文和绘画,并以"境取幽深,情况高哲"的独特的美学境界,被后世瞩目。萧云从的诗往往因充满故实而多显晦涩,实情却饱含了他对乱世的愤激与批判;他的画也同样表露出一个文人伤时感事的哀怨之容,以致他决意分裂凡俗,遁迹世外,在宽容无尽的大自然里讨生活,或优游山林,或观照云壑,沉醉于隐逸的情境里。

As an adherent of the Ming Dynasty,Xiao Yuncong was versatile in terms of poetry and painting, and received the descendants＇ worship for the unique Aesthetic realm of ＂deep and quiet in state, lofty and philosophical in emotion.＂ His poems are full of stories, thus obscure.However, the truth is that these works are full of anger and criticism in the face of turbulent times; his paintings also express a sense of a literati＇s distress for the trouble days.Being weary of earthliness eventually makes him escape from the mundane, embrace the rest time of his life in the endless nature,visit in the mountains or meditate on the cloudy valley, and indulge in seclusion.