摘要
《不现实之二》是继2013年个展《钟馗上任记》之后，高璃较大规模的最新个展，也是他首次在重庆举办个展。此次展览将集中展示20i4-2017年的创作，展出作品共30件．除了延续以往备受推崇的布面丙烯作品之外，高璃新作对纸本、根雕以及电动装置等媒介也有所尝试，作品从四个部分出发，试图以两种社会学预言作为框架，通过对民间美术文本与网络图像的挖掘与再制，探讨在艺术实践上的某种新的历史线索。
＂Unreality II＂ is the solo exhibition alter ＂The Accession of ZhongKui＂, which is the artist＇s latest solo exhibition on a comparatively large scale, also, it is the solo exhibition held in Chongqing for the tirst time. This exhibition collectively demonstrates his works from 2014 to 2017, and besides the works or＂ acryl on canvas which is highly praised, Gao Yu has tried other media, like paper, root sculpture and electric installation. The works set out from four aspects, endeavoring to explore some new historic clues upon artistic practice, by digging and re-creation of fork artistic text and network image, with two kinds of Sociological predictions as the framework.
出处
《当代美术家》
2017年第3期60-63,共4页
Contemporary Artists
关键词
当代艺术
媒介
民间美术
社会预言
Contemporary art, Media, Fork art, Sociological predictions
