摘要
黑白是中国水墨画的最基本元素,王培永用新的绘画方式,把炭笔带来的圈与旋作为他作品的基点,形成强烈对比。黑与白、深与浅、厚与重的运用,把现实之景加入自己内心的情感.构成其作品永恒的焦点。
Black and white are the most basic elements in Chinese ink painting. Wang Peiyong takes the circle and spinning made by charcoal pencil, as the base point of his works, with a new method of painting, which forms a sharp contrast. The application of black and white, deep and shallow, thick and strong adds his inner emotion to the realistic landscapes, constructing the eternal locus of his works.
出处
《当代美术家》
2017年第3期76-77,共2页
Contemporary Artists
关键词
积墨
废墟
精神架构
Accumulated ink, Wasteland
Mental frameworks