文本与表演:语境论转向与美学研究范式反思

Text and Performance:The Turn of Context and Reflection of Aesthetic Paradigm

20世纪60年代后在民俗学和人类学领域兴起的表演理论关注特定意义在社会语境中生成与合法化的过程,这种语境论转向为我们重新思考美学中的文本和表演的关系提供了启示。语境论转向对于美学的启示不仅在于强调在情境性语境中理解审美现象,而且进一步走向了对美学理论本身的形式特征和表述方式的元反思。

Performance theory in folklore and anthropology which appeared in the sixties of the twentieth century pays more attention to yielding and legitimization of given meaning. The enlightenment of this kind of turn to aesthetics is not only its emphasis on understanding aesthetic phenomena in situated context, but its upgrade to meta-reflection of form and representation of aesthetics itself.