对《三个三重奏》中居延泽形象的拉康式解读

Lacan's Reading of Yanze Ju in The Three Trio

《三个三重奏》中人物居延泽的行为可以用拉康的精神分析理论进行分析。居延泽在拉康所说的"镜像阶段"形成的理想自我,与后天生活经历塑造的人格有一定的差距,造成了他人格的矛盾性。同时居延泽作为欲望主体徘徊在"想象界"和"象征界"之间,在对象征秩序的父亲世界反抗与归顺中挣扎,对缺失的母亲的追求形成了其最初的欲望。最终居延泽在与死亡的直面中走向实在界的虚无。

Ju Yanze＇s behavior in TheThree Trio can be analyzed by Lacan＇s psychoanalytic theory. Ju Yanze＇s ideal self formed in Lacan＇s mirror stagehas a certain gap in his personality shaped in life experience, which results in his personality contradiction. At the same time, Ju Yanze, as the desire subject, formed his own original desire when wandering between ＂the imaginary＂ and ＂the symbolic＂, revolting against and yielding surrender to thefathersymbolizing order and pursuing the missing mother. Finally in the face of death, Ju Yanze went to the real nothing.