摘要
茅盾"未完成"长篇小说创作作为一种"现象",在中国现代文学史上极为引人注目。这种"未完成",与茅盾对中国现代社会、革命的认知方式以及创作策略紧密相关,它是茅盾以文学积极参与社会变革实践的结果。在现代长篇小说的创造期,茅盾的创作极富实验性特征,它不仅真实地反映了茅盾在文学的功利性与审美性之间的价值取向,也折射出中国现代长篇小说创作的困境。重估茅盾长篇小说创作的文学史价值和意义,更能深刻地认识中国现代文学发展所经历的艰难而复杂的演变历程。
Mao Dun＇s ＂ unfinished＂ novel history of modern Chinese literature. This as a ＂phenomenon＂, is very striking in the unfinished＂ work has a close connection with Mao Dun＇s cognitive way of modern Chinese society and revolution and his creative strategies, which is the result of Mao Dun＇s active participation in social transformalion practice by means of literature. In the period of novels creation, Mao Dun＇s works are full of experimental characteristic, not only truly reflecting Mao Dun＇s value orientation between usability and aesthetics, and also disclosing the dilemma lying in the creation of modern Chinese novels. The reevaluation of Mao Dun＇s novels in the field of literature history can help to realize the rough and complicated evoIution of modern Chinese literature deeply.
出处
《华中师范大学学报（人文社会科学版）》
CSSCI
北大核心
2017年第3期93-103,共11页
Journal of Central China Normal University:Humanities and Social Sciences
基金
国家社会科学基金重大项目"延安文艺与20世纪中国文学研究"(11&ZD113)
关键词
茅盾
长篇小说
未完成现象
文学史重估
Mao Dun
novels
unfinished phenomenon
reevaluation
the history of literature
