艾丽丝·门罗南安大略哥特中的生态女性主义

Eco-feminism in Alice Munro's Southern Ontario Gothic

艾丽丝·门罗的"南安大略哥特"兼具哥特式小说和来自南安大略的加拿大地域文学的特征。它们有的描写了父权制下女性和动物的悲剧命运,作为客体的动物和女性成了男性实现其优越性和统治权的工具;有的则刻画了女性走进荒野,与父权制文化传统相抗衡,实现了自我的旅程。门罗将她的女性角色融入具有哥特式氛围的自然之中,一方面揭示了二元论和父权制对两者的危害,一方面体现了她对女性命运的思考和对自然生态的关怀。

Alice Munro＇s Southern Ontario Gothic features both the gothic novels and the Canadi- an regional literature from South Ontario. Some of her Southern Ontario Gothic novels portray the tragic fate of women and animals, who are objectified and treated as mere things by men in order to exhibit male superiority. Others depict women＇s journey into wilderness as a way to challenge patriar- chal tradition and achieve self-fulfillment. Munro blends her female characters into the gothic nature, so as to reveal the harm done to women and nature by dualism and patriarchalism on one hand, and refleet her care about women＇s fate and environment on the other.