断裂与反讽——格里克神话诗歌的游牧路线

Rupture and Irony in the Nomadic Lines of Louise Glück's Mythical Poems

美国当代重要诗人L.格里克以仪式思维和游牧路线对古典神话实施了再语境化的重构。本文从词源学和叙事学视角、以德勒兹的意义的逻辑及其游牧理论为依据诠释格里克的神话诗歌,在其仪式思维中,探究语义断裂和反讽叙事与诗歌的游牧主体性生成的关联及其间的伦理和生存论意义。格里克对古典神话的重构赋予其元话语的特征,使处于冲突力场的神话人物成为德勒兹意下的游牧主体,其主体性生成于脱离线性时间和因果逻辑而进入循环运动和重复模拟的去本原的过程。通过将神话人物嵌入生死绝境并使其逐渐出离历史与政治的范畴化结构,格里克为晚期资本主义文化中的精神分裂者提供了既承认宿命又不舍浪漫的游牧生存路线。

Louise Glück,a major contemporary American poet,re-contextualizes mythical archetypes through ritual thinking and nomadic lines.From the perspectives of etymology and narratology,the present paper focuses on the ritual thinking of Glück’s mythical poems,interpreting,according to Deleuze’s logic of sense and his nomadic theory,a certain relevance of semantic rupture and narrative irony to the becoming of nomadic subjectivity as well as its ethical and existential implications.