回到广场:新世纪以来群众舞蹈发展的空间迁移

Back to the Square: The Space Migration of Mass Dance Development Since the 21^(st) Century

在中国近现代当代舞蹈史的发展进程中,文艺与大众紧密联系,这使得群众舞蹈的发生具有一定社会与历史必然性。本文认为,以新世纪为时间节点,从新中国成立以来至新世纪以前,群众舞蹈结合中国舞蹈史发展的具体性而呈现走向剧场的精英化的历程,其特点是呈现出由现代性的"分化"功能所带来的一系列艺术本体的相应转变;而进入新世纪以来,由于新兴的消费社会的崛起和大众文化的世俗性与娱乐性要求,群众舞蹈的空间又呈现出向广场回归的倾向,以健身怡情为主要目的广场舞之兴起,则体现后现代社会中"去分化"的力量,生活的质朴与生动由此延展进以往代表着阳春白雪的艺术世界。

Abstract：During the development of modern history of dance in China, the close relationship between the masses and art has provided certain social and historical necessity for the emergence of mass dance. The paper argues that the concreteness of Chinese dance history has endowed the tendency of theatricality in its mass dance from 1949 to 2000, and the property of differentiation brought with modernity has manifested corresponding transformation of art ontology; however, the rise of mass consumption society and features shown as secularity and entertainment in mass culture has demonstrated a return to square. The main purpose of square dance is to strengthen body and immerse in joy. The dedifferentiation of post-modernity also plays a role in the prosperity of Chinese square dance, and the artlessness and vividness of life is combined with the sophisticated art world.