摘要
本文以原始文本分析为研究方法,通过分析15、16世纪人文主义者的著作、宫廷舞蹈教师的舞蹈论著以及当时关于宫廷舞蹈庆典的相关记录,阐明在人文主义语境下,宫廷舞蹈中女性身份的规范和准则,以及这些规范与宫廷舞会中女性的真实面貌有哪些矛盾之处,揭示文艺复兴宫廷舞蹈中的女性所担任的社会和政治角色,力图呈现文艺复兴时代宫廷舞蹈更加完整而真实的历史图景。
The paper, based on the text analysis of the writings of humanists and ballet masters in the 15^th and 16^th centuries as well as the records of court ballet carnivals, expounds the regulations and standards of female roles in the Renaissance court ballet in the context of humanism, and clarifies the contradictions between the regulations of the female roles in the court dance and the real features of women' s dance in the courts, The paper reveals the social and political roles the noble women played in the Renaissance courts and attempts to present the more complete and genuine images of Renaissance women in history.
出处
《北京舞蹈学院学报》
CSSCI
北大核心
2017年第2期45-50,共6页
Journal of Beijing Dance Academy