戏剧行动思维在叙事性舞蹈编创思维中的运用

The Application of Drama Action Thinking in the Narrative Dance Choreography

在叙事性舞蹈创编中引入戏剧行动思维具有重要的现实意义。叙事性舞蹈与戏剧有异曲同工之妙,戏剧艺术的诸多理论对叙事性舞蹈编创均有借鉴意义。戏剧是行动的艺术,行动思维是戏剧重要的思维方式。戏剧行动思维是一种准确把握人物、故事、情感之间的内在关系、内在联系,使行动在戏剧表演中与人们的生活产生自然恰当的关系,这种关系往往是符合生活逻辑的思维方式。本文围绕"戏剧行动思维",分析了叙事性舞蹈作品中生活动作与舞蹈动作的关系及特点,及其在舞蹈创作中对情境规定和作品结构产生的作用,旨在表明将戏剧行动思维引入叙事性舞蹈编导理论中,将解决叙事性舞蹈编创中的诸多困惑,是舞蹈编导们在进行叙事性舞蹈创作时应该关注的重要方面。

It is of greatly practical significance to introduce the drama action thinking into the choreography of narrative dance works. There are similarities between drama creation and narrative dance creation, so the theories of drama provide reference for narrative dance creations. Drama is the art of actions, and the action thinking is the essential way of drama creation. The paper centers on ＂the action thinking of drama＂, and analyzes the characteristics and the relationships between everyday movements and dance movements in the narrative dance choreography, as well as their effects on the contextual rules and the structures of dance work in creating narrative dance. The paper aims to reveal the significance of introducing drama theories into narrative dance creations, and help to solve the problems of narrative dance choreography which are worthy of being paid much attention by choreographers.