戏台与礼俗文化共生

Ancient Architecture of the Village and Ritual Folk Culture Symbiosis

现代社会,以经济为主潮的各种力量主导并催生着城乡关系的变化,传统中国乡俗的社会正在改造的浪潮中活化新生或沉沦消失。如何周赡"传统记忆与当代礼俗共生、精神信仰与空间叙事的同生",在体制内外、利益主体之间考量徽派建筑乡俗界限与人文认知,探索徽派古戏台作为记忆场所在维系地方宗族、建构地域情感纽带上的教化功能。以成功的度假模式为案例,推敲古戏台作为文化记忆原型而构建当代多元物质叙事模式,重塑乡俗聚落生活改造社会的能力,使乡俗集体记忆与地域人文信息重新反本开新。

In Modern society, Dominated by the power of the main forces of the economy and the birth of urban and rural relations, The Chinese rural society is transforming the tide of the activation of new life or sink disappeared. How to carefully explore the ＂Traditional memory and contemporary etiquette and folk symbiosis, spiritual beliefs and space narrative of the same students＂, In the national policy and internal and external interests, consider the relationship between the main body of Huizhou style rural boundaries and humanistic cognition, Explore the Huizhou style ancient stage as a memory place to maintain the local clan, Constructing the Educational Function on the Regional Emotional Ties. Taking a successful vacation model as a case, The ancient stage as a cultural memory prototype and the construction of contemporary multi-material narrative model, To re-shape the traditional rural folk settlements life transformation of the community＇s ability, So that the collective memory of rural folk and regional humanities information to regain new opportunities and development.