摘要
教育部第一次全国美展是近代中国美术的一次盛会,它处于近代西学东渐的文化背景中,其刊发的画册、图录、理论集的设计,受到西方设计思潮与印刷技术、装帧技术影响呈现出现代图书设计的基本特征。近代图书设计的发展,与西方美术的传播,具有紧密的联系,很多近代图书设计师兼具美术家的身份。因此,美展刊物的设计代表了20世纪初中国图书设计的较高水平。受到近代美术格局的限制,传统绘画势力与新兴绘画势力的双重影响,美展相关刊物的设计,在带有中国传统图书设计与现代图书设计的双重因素的同时,兼具文化传播与文化象征的双重意味。
The first national art exhibition of Ministry of education is a grand meeting of art in twentieth Century. It is in the background of learning to the western, The Exhibition catalogue influence of Western printing technology and graphic design. It is showing the characteristics of modern book design. The development of modern book design is linked with the spread of Western art, and a lot of designers have the identity of artists. The design of the Exhibition catalogue represents the highest level of Chinese graphic design in twentieth Century. Subject to the modern painting group and Traditional painting group, The design of The Exhibition catalogue with the dual factors Chinese traditional book design and modern book design at the same time, both cultural communication and cultural symbol of double meaning.
出处
《创意与设计》
2017年第2期67-70,共4页
Creation and Design
关键词
教育部第一次全国美展
图录设计
The first national art exhibition of Ministry of education
Exhibition catalogue Design
