摘要
冯小刚的新作《我不是潘金莲》上映之后,引发了人们对于官僚体制与普通民众之间关系的思考。冯小刚虽然是一位有着丰富拍摄经验的导演,但是一直在拍摄的形式上不断创新,该作品采用了圆形与方形相互转换的方式,导演试图用这种形式上的出新来带给观众更多对于人情事故的思考,文章主要是从形式上的创新、"法"与"情"以及官与民关系三方面来阐释这种方圆形式上的转换带给我们的思考。
The release of Feng Xiaogang's new movie I Am Not Madame Bovary has sparked a topic worth rethinking, that is the relationship between the bureaucracy and ordinary citizens. Feng Xiaogang is an experienced director with constant form innovations, and this work adopts the round and square screen transformation skills, in order to bring the audience more reflection on the way of the world. This article mainly elaborates the square and round transformation from three aspects, namely the form innovation, the relation between "law" and "emotion", and the relation between government officials and ordinal people.
作者
张阳
ZHANG Yang(College of Arts, Qufu Normal University, Shandong Qufu, 273100, China)
出处
《顺德职业技术学院学报》
2017年第2期82-84,共3页
Journal of Shunde Polytechnic
关键词
方圆形式转换
形式创新
“法”与“情”的反思
官民关系
screen transformation between square and round
form innovation
rethinking on "law" and "emotion"
relation between government officials and ordinary people