抵抗文学作家“非典型”经历的典型意义——以李正中文学生涯为个案

Typical Significance of the “Non-typical” Experiences of Resistance Literature Writers——A Case Study of Li Zhengzhong's Literary Career

在东北沦陷区抵抗文学作家中,李正中似乎是"非典型"的———不是最激烈的、不参加政治组织、没有被捕或逃亡。但对于抵抗文学研究来说,他的人生经历、文学生涯、作品发表途径等恰恰具有强烈的典型意义。他经历了伪满时期抵抗文学创作者的共同苦难:退稿、删稿、作品被撕页、诗集被扣押、被警察特务追查和监视。李正中发表抵抗文学作品的方式和途径,恰好也是东北沦陷区抵抗文学的四种最主要呈现方式———公开发表、作品"逃亡"、非公开刊物发表、战后呈现。他于战后主编《东北文学》,为抵抗文学重新发表提供重要平台。李正中文学成就在于:不仅真实书写了伪满时期青年知识分子的思想、心态,更冒险传达抵抗意识,进行抵抗文学的创作与传播。

Of the resistance writers in China＇ s northeastern Japanese-occupied areas, Li Zhengzhong is a seemingly ＂non-typical＂ one-he was not the most violent, he did not join in any political organization, he was never arrested or became a fugitive. To resistance literature studies, however, his life experiences, literary career and publishing approaches are just loaded with heavy typical meaning. He experienced the misery common among the resistance writers of the Puppet Manchukuo period： work rejected, abridged and torn off, poetry collection distrained, himself investigated and monitored by the police. Li＇ s publishing approaches are precisely the four main demonstrations of the resistance literature of the northeastern Japanese-occupied areas, i.e., public publishing, work ＂on the run＂, non-public journal publishing and post-war demonstration. He was the chief editor of Northeast Literature after the Sino-Japanese War, which became a significant platform for the re-publishing of resistance literature. Li＇ s literary achievement lies in the fact that he not just genuinely described the thoughts and mentality of the young intellectuals of the Puppet Manchukuo period, but took great risks conveying the consciousness of resistance by creating and publishing.