百年低首赵悲庵——李正中与他的书法艺术

A Man Who Admires Zhao Beian for Hundreds of Years——Li Zhengzhong and His Calligraphy Art

李正中先生的书法艺术在东北沦陷时期因其文学成就而显得月明星稀,也曾在战争硝烟与动荡风尘中被湮没。如今,在新常态的高原上寻找文化高峰的时候,他的地位开始让学界重新审视。李正中的书法艺术是以文学为基础的,其创作大体可分为两个时期:一个是少年时代至参加东北民主联军时期;一个则是1979年从农村回沈阳后。晚年,李正中在赵之谦风格上又融入萧散冲澹的、直率朴拙之晋人手帖书卷气,字里行间既有跌宕的风致,又有翩然的气韵;既显现出自由而又充沛的生命本源,又真正达到了"人书俱老"的境界。他既有文人情怀,又有学人博识,更是书人儒雅的文化遗民型作家和书法家。

Mr. Li Zhengzhong＇s calligraphy art became outstanding for his literary achievements in the period of Japanese occupation. It was later lost in the war and unrest over the annihilation. Today, on the plateau of the new normal for cultural peak, he began to make academic review status. Li＇ s calligraphy art is based on literature, and the creation in general can be divided into two periods： one is the youth to participate in the northeast democratic coalition period; the other is from the countryside to Shenyang in 1979. In his late years, Li combined Zhao Zhiqian＇s style again into his dilute. He is a man with not only literati feehngs, but also well-informed, which make him more of a cultural immigrant writer and calligrapher.