略论任昉诗歌风貌与永明体的异同

On the Similarities and Differences between Ren Fang's Poem Style and Yongming Style

任昉与永明体代表诗人谢朓、沈约同被钟嵘《诗品》列为"中品",其诗歌风貌的异同历来为学界所关注。从文学史的宏阔视角来着眼,任诗实无出"永明体"的范畴,在诗歌的题材、篇制、对偶、押韵及清新的风格等方面,与永明体并无大的差别;然缘于任昉的诗学观念及才学优势,任诗又呈现出不同于永明体的审美风貌,主要表现为用事上追求生新、声律上不严格遵守四声、诗歌风格以"雅"为基调等。这些审美质素的同与异,为深度研究任昉诗歌与永明体提供了依据。

In Zhong Rong＇ s Grades of Poetry, Ren Bi is listed as a ＂medium-level＂ poet together with Xie Tiao, Shen Yue, who are poets representing Yongming style. Ren Bi has long been a focus for poetry study. From the perspective of literature histo- ry, Ren＇ s poem is not very different from Yongming style poems in terms of topics, length, antithetical parallelism, rhymes and styles. While as far as Ren＇ s poetics concept and his talent advantages are concerned, Ren＇ s poems display some aesthetic fea- tures different from those of Yongming style, such as the attempts of choosing novel topics, not strictly rhyming in the four tones of classical Chinese, showing a style based on classic elegance, etc. These similarities and differences provide the basis for a deeper study of Ren Bi＇ s poem and Yongming style.