文化触变视角下中国晚清本土市井图像的“自我”映象——以《点石斋画报》为例

Research on Civic Self-image in the Late Qing Dynasty from Cultural Changing Perspective——Taking Dianshizhai Pictorial as an Example

19世纪中后期,我国被西方列强的坚船利炮拉进了世界近代化的进程里。在这个过程中,我国原有社会文化、思想观念、等级秩序失去了原有的重心。民众不断地从西到东来寻找新的文化参照系。而《点石斋画报》正是一个不同类型的文化相互激荡下产生的参照系,大众以《点石斋画报》为参照,逐渐找到了"自我认同"新的平衡。

In the mid-late 19th century, China was dragged into the process of world modernization by the western powers. In this process, the original Chinese social culture, ideology and ranks were in disorder. People had been constantly seeking new cultural frame from the West to East. Dianshizhai Pictorial as a cultural reference of different kinds made the mass gradually find the new balance of identity.