摘要
考虑到1949年之后台湾地区出现的"民国"文学,"民国文学"的理论建构值得反思。对大陆学者而言,无论将"民国文学"视为中性的时空概念,还是将其视为一种精神资源,如果将1949年之后台湾地区的文学天然视为"民国文学"的一部分,两种认识都有难以自圆其说的部分。实际上,"民国"是一个变化的文化空间,只有从"空间"的意义理解民国文学,"民国文学"的活力才可能被释放出来。
In view of the literature of the Republic of China in Taiwan after 1949, the theoretical construction of "the literature of the Republic of China" is worthy of reflection. To mainland scholars, regardless of "the literature of the Republic of China" as a neutral concept of time and space, or as a kind of spiritual resource, if natural literature in Taiwan Region after 1949 is taken as a part of "the literature of the Republic of China", the two viewpoints are difficult to justify themselves. Actually, "the Republic of China" is a chan- ging cultural space, the vitality of "the literature of the Republic of China" can be released if the significance of the Republic of China literature could be understood from the "space. "
作者
周维东
ZHOU Weidong(College of Journalism and Literature, Sichuan University, Chengdu, Sichuan 610064, China)
出处
《宜宾学院学报》
2017年第5期1-6,共6页
Journal of Yibin University
基金
国家社会科学基金一般项目"抗战时期国共辖区间的文学互动研究"(15BZW153)
关键词
民国文学
浪漫民国
文化空间
The literature of the Republic of China
romantic republic
cultural space