摘要
复古是中国绘画的机制。"古"在不同的历史时期蕴含的观念都不尽相同,人们通过视觉语言把这些内涵化为艺术形象。复古在明代绘画中扮演重要的角色,直接导致了文人画领域中的一场变革。明代绘画复古范式是对礼乐文化的传承和隐喻,复古不仅是摹仿前人,也是为了再创造。复古思潮重塑了古典主义的正统地位。
Retrois a machine-processedof Chinese painting. The concept of 'ancient' in different historical periods are not the same, people through the visual language of these connotations into the artistic image. The ancient restoration plays an important role in the painting of the Ming Dynasty, which directly leads to a revolution in the field of literati painting. In the Ming Dynasty, it is the inheritance and the metaphor of the ritual music culture, and the restoration of ancient times is not restricted to the imitation of the predecessors, but for the re creation. The retro trend of thought has reshaped the orthodox position of classicism.
出处
《南京艺术学院学报(美术与设计)》
CSSCI
北大核心
2017年第3期76-79,共4页
Journal of Nanjing Arts Institute:Fine Arts & Design
基金
2016国家社科基金艺术学项目(16BA015)
南京信息工程大学引进人才项目(2015R069)
2016年度江苏省高校哲学社科项目(2016SJD76007)阶段成果
关键词
明代绘画
复古
Ming Dynasty
painting
restoration