结构人类学视野下《密洛陀古歌》中的神灵命名观研究

On the Concept of God's Naming in “Ancient Song of Miluo Tuo” On the Perspective of Structural Anthropology

自然环境的复杂性和语言景观的多样性催生出不同的神话作品,《密洛陀古歌》作为口传神话作品在瑶族代代相传,是承载着布努瑶人族群记忆的重要文化载体。以神灵命名观切入少数民族文学研究,建立起语音与文字、文本与文学、文化与思维的立体坐标图,改变以文本为单一趋向维度的片面文学景观,最大程度地发掘少数民族文学的内部多维结构,有助于建立起一种基础式、探索型的少数民族文化研究的新范式。

The complexity of the natural environment and the diversity of language landscape created the myth of different works. As an oral tale works, ＂Ancient Song of Miluo Tuo＂ was handed down in Yao nation from age to age, which carried the weight of Bunu Yao people＇ s important ethnic memories. Thus we should study the ethic lit- erature starting from the concept of the god＇ s naming; establish the three - dimensional coordinate diagram of the voice and text, text and literature, culture and thinking; change the one -sided literary landscape which takes the text as the single trend dimension, and excavate the internal multidimensional structure of minority literature. All above help to establish a new paradigm of ethnic culture research.