摘要
弹幕电影,不同于传统电影文本形态,不完全是一种简单的动态影像与文字搭配构成的文本形式,而是在这一整体艺术文本形态中,并置着已完成时态的电影文本和正在进行时态的弹幕文本,是一种间性文本。这种间性文本蕴含了中国诗文评的传统因子,也是互联网技术发展在不同阶段的一种新形态,是吐槽文化、宅文化的变相延伸与显现。弹幕电影的出现与传播,对未来影视剧的创作及影视剧评论造成一定的冲击与影响,值得警醒与关注。
Barrage movie, are different traditional film text, which are not one made up of dynamic image and word, but are both constructed of perfected movie and barraging text--intertext. Intertext not only are related to traditional factors of Chinese poetry criticism, but also are new form in varying stages of internet technology de- velopment and appearance of Tucao culture or Otaku culture. In a word, the prevalence of Barrage movie will influence on TV drama creation and review.
作者
贺滟波
He Yanbo(School of Communication, Chongqing Normal University, Chongqing 401331 Center for Art and Literature Studies, Beijing Normal University, Beijing 100875, Chin)
出处
《重庆师范大学学报(哲学社会科学版)》
2017年第3期95-99,共5页
Journal of Chongqing Normal University Edition of Social Siences
基金
国家社会科学基金项目"数字化语境中新世纪以来的文艺审美实践研究"(13BZW027)
关键词
弹幕电影
影像表达
间性文本
barrage movie
image expression
intertextual