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山中红萼与谷内青烟——王维之“无”与孟浩然之“有”诗歌意境对比分析

Red Calyx and the Smoke in the Valley——Comparative Analysis of Poetic Artistic Conception between Wang Wei's "None" and Meng Haoran's "Existence"
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摘要 王维与孟浩然作为盛唐时期山水田园诗的代表人物,在唐代诗歌乃至古代诗歌史上都占有比较重要的地位。世人虽常将以"王孟"并举,但二者的诗歌风格,意境有很大不同。本文试以王国维"境界"之说,对二者山水田园诗中呈现的"无"与"有"、"显"与"隐"的区别进行对比分析,以分析二者的差异。 Wang Wei and Meng Haoran,as representative figures of the landscape and pastoral poetry in the flourishing period of the Tang Dynasty, have occupied a very important position in the Tang-poem,even the history of ancient Chinese poetry. Although people always call them as "Wang-Meng" simultaneously, but their poetic style and artistic conception are very different. Paper based on Wang Guowei's "realm" theory, proves the difference about the landscape and pastoral poetry of Wang Wei and Meng Haoran by analyzing the "none" and "existence", "significant" and "hidden" from their poems.
作者 明宣丞 MING Xuan-cheng(Qinghai Normal University, Xining 810001 ,China)
机构地区 青海师范大学
出处 《齐齐哈尔师范高等专科学校学报》 2017年第3期33-35,共3页 Journal of Qiqihar Junior Teachers College
关键词 王维 孟浩然 意境 美学 境界 Wang Wei Meng Haoran artistic conception aesthetics state conception
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