摘要
王维与孟浩然作为盛唐时期山水田园诗的代表人物,在唐代诗歌乃至古代诗歌史上都占有比较重要的地位。世人虽常将以"王孟"并举,但二者的诗歌风格,意境有很大不同。本文试以王国维"境界"之说,对二者山水田园诗中呈现的"无"与"有"、"显"与"隐"的区别进行对比分析,以分析二者的差异。
Wang Wei and Meng Haoran,as representative figures of the landscape and pastoral poetry in the flourishing period of the Tang Dynasty, have occupied a very important position in the Tang-poem,even the history of ancient Chinese poetry. Although people always call them as "Wang-Meng" simultaneously, but their poetic style and artistic conception are very different. Paper based on Wang Guowei's "realm" theory, proves the difference about the landscape and pastoral poetry of Wang Wei and Meng Haoran by analyzing the "none" and "existence", "significant" and "hidden" from their poems.
作者
明宣丞
MING Xuan-cheng(Qinghai Normal University, Xining 810001 ,China)
出处
《齐齐哈尔师范高等专科学校学报》
2017年第3期33-35,共3页
Journal of Qiqihar Junior Teachers College
关键词
王维
孟浩然
意境
美学
境界
Wang Wei
Meng Haoran
artistic conception
aesthetics
state conception