周密詞集版本系統與文本多歧現象考述

An Examination of Version Systems of Zhou Mi's Song Lyrics Collection and Plenty of Text Difference

周密詞集可分成《蘋洲漁笛譜》與《草窗詞》兩大版本系統。《草窗詞》亦存在兩種版本系統,此以鮑廷博嘉慶年間刊刻《草窗詞》爲界,之前皆爲鈔本,淵源相同,與鮑刻無涉;之後多爲刻本,均宗鮑刻。此外尚有《弁陽老人詞》一種特爲獨出。將現存周密詞集對校後可知,《蘋洲漁笛譜》爲周密宋末手定,《草窗詞》以《蘋洲漁笛譜》爲底本重新編次並補輯。鮑刻之前諸鈔本《草窗詞》更加接近原貌,而鮑刻經過了鮑廷博的大幅改動。鮑廷博的校改是清代浙西詞人詞學活動之一,從中可以看出浙西詞人慣以刻詞、改詞進行詞集文本固定的工作,以此推出他們標舉的詞學先輩,經他們改動後的文本强烈體現着浙西詞派的審美趣味與詞學追求。

ZhouMi's song lyrics collection can be divided into two systems which are Pinzhouyudipu and Caochuangci. Caochuangci aslo can be divided into two systems by Bao Tingbo's inscription,before which most of the version mainly was handwritten copy, while all the versions followed BaoTingbo's work after its appearance. Besides, there is another handwritten copy called Bianyanglaorenci differing from both sides which is very special. After the collation of all the existing versions of ZhouMi's song lyrics collection, it can be found that Pinzhouyudipu was compiled by ZhouMi himself in the ending of South Song Dynasty, while Caochuangci was modified based on Pinzhouyudipu. The handwritten copy system is closer to the original due to BaoTingbo's edition exsit many changes. BaoTingbo's modification was one of the activities of West Zhejiang School of Ci Poetry, who were used to using these ways to release classical poets in their eyes, and the changed text incarnated strongly the West Zhejiang School of Ci Poetry's aesthetic taste and pursuit of Ci.