论侯孝贤电影美学的隐性基因

On the Hidden Gene of Hou Hsiao-Hsien's Film Aesthetics

侯孝贤在朱天文等当年"三三文学社"成员的影响下,对胡兰成及其美学有较为深刻的理解和认同,他的电影美学隐藏着胡兰成的美学基因。他电影中的自然景观以及冷眼旁观的叙事手法遵从了大自然"五基本法则";胡兰成所谓"喜反与好玩",表现在侯孝贤身上就是"黑道情怀"、"侠义情结"与"士"的观念,也成为他与众不同的创造力。侯孝贤重视女人的"直觉"、"美感",逐渐关注女性内心,塑造了不少充满了元气与生命力的女性形象。他的电影也如胡兰成的散文一样,散淡而富有韵味,体现和发扬了中国的抒情传统。

Under the influence of San San Literary Group, Hou Hsiao-hsien and Chu Tien-wen, along with its other members, have a deep understanding of, and identify with, Hu Lancheng and his aesthetics as the gene of Hu＇ s aesthetics is hidden in Hou＇s film aesthetics. In Hou＇s films, natural landscape and the cold-eye approach to narration follow the ＇Five Basic Rules＇ of nature. Hu＇ s＇love of the opposites and good fun＇ are expressed in Hou as the concepts of＇ black-road sentiments＇,＇ the chivalrous complex＇ and ＇the makeup of a person of noble aspirations＇, thus becoming his unique creativity. Hou emphasizes the woman ＇ s ＇ intuition ＇ and ＇ sense of beauty ＇ as he pays gradual attention to their inner feelings, creating quite a few images of woman filled with vitality and life force. His films, like Hu＇ s prose, are placid and charm, reflecting even as it carries forward the Chinese lyrical tradition.