摘要
电影《百鸟朝凤》展现了唢呐与人、传统文化与现代人之间的多层关系,作为一部有深度的电影,它还是华夏子孙生命哲学的投影。电影通过一系列日常生活中乡村社会礼俗的呈现,以唢呐这种古老的中国民间音乐艺术的传承为载体,尤其是通过"百鸟朝凤"作为唢呐乐中经典的演奏,传达了中国人成孝敬、厚人伦、讲道德、重精神的生命观。在细读文本的基础上,分析电影《百鸟朝凤》文化心理产生的原因,探讨在社会急遽发展变化的时代传统文化面临的困境,并通过对不同生命形式内涵和生命境界的阐释,可以更深刻地理解电影所传达的文化意味。
Song of the Phoenix , a Chinese arthouse drama film , presents a conflicting relation ship between suna (the instrument) , and man ( the player) , as well as between trad itionalculture and modern people . Asathought- provoking film , it is evocative of the philosophy of life of the Chinese people . By depicting folk customs and social interactions in rural daily life , the film reveals the plight facing the inheritance of trad itional Chinese folk customs from generation to generation amid the present commercialized social conditions. At the same time , the film pres -ents to audiences the fine values of Chinese society p reserved and pa ssed on to the next generation , which include filial piety , morality , ethics , and spiritual pursuit.
出处
《南阳师范学院学报》
CAS
2016年第10期61-64,共4页
Journal of Nanyang Normal University
关键词
唢呐文化
民间道德
生命哲学
suona cul ture
folk ethic s
philosophy of life