摘要
唐代诗学主要侧重对声病、对偶、句势等作诗之"法"的层面上的讲求,而宋代诗学的新变则在于形成有定法而无定法的"活法"论。宋代"活法"论的直接内涵在于"意"对"法"的超越,正和宋代诗文书画的"尚意"之风相表里。但矛盾之处在于,宋人尚"意"的同时又反复强调"无意",这就超越了"意"的诗艺层面而进入更根本的修养层面。"意"的根本即在于"气"。"活法"论的本质就在于宋人超越诗艺层面,而进入对于诗人修养功夫的"气"的层面的思考和重视。
The poetry of the Tang Dynasty focused on techniques such as rhythm, parallelism and syntax. The poet-ic transformation in the Song Dynasty, however, culminated in what is called the ‘ flexible law ’ (活法). The meaning of ‘ flexible law ’ (活法)was the transcendence of ‘ idea ’ (意)over ‘ law ’ (法) ? But at the same time , theorists of the Song Dynasty emphasized the absence of * idea y (意)as w el l ,and h en c e , a deeper layer of issue was touched upon, that is, the cultivation of ‘ qi ’ (气 ). ‘ Q i ’ (气 )was more important than ‘ id e a ’ (意 ) .Therefore, we can say the truth of ‘flexible law ’ (活法)lies in the cultivation of ‘ qi ’(气),surpassing the tech-nical layer of ‘ law ’ (法)and ‘ idea ’ (意 ) .
出处
《南阳师范学院学报》
CAS
2017年第2期49-52,56,共5页
Journal of Nanyang Normal University
关键词
宋代诗学
活法
意
气
poetics of the Song Dynasty
‘flexible law’ ( 活法)
‘ id e a ’ ( 意 )
‘ q i ’ (气 )