摘要
美剧《西部世界》在纯粹科幻层面是对交互式娱乐未来前景的思考,在社会讽喻层面是对人与人之间弱肉强食、尔虞我诈关系的批判,在哲学观念层面既是对世界本体的透析,也是对自我意识的反思和对人性丑恶一面的批判。
The American TV series Westworld (2016) is a reflection of the future of interactive enter-tainment as a pure science fiction. It is also a critique of the human relationship characterized by cheating and the law of the jungle as a social allegory. Meanwhile it serves not only as a thorough analysis of the world ontology, but as a reflection of self-consciousness and criticism of the ugly side of humanity as a phi-losophy work.
出处
《南京邮电大学学报(社会科学版)》
2017年第2期2-11,共10页
Journal of Nanjing University of Posts and Telecommunications(Social Science Edition)
关键词
科幻作品
创意产业
混合现实
《西部世界》
交互性娱乐
science fiction
creative industry
mixed realities
Westworld
interactive entertainment