风云际会之后的反思——新时期戏曲的一种解读

Reflections on a Time of Triumph: an Interpretation of New-Period Xiqu

本文的认识论前提是作为新时期戏曲精神背景的文化互渗和戏剧整合,方法论路径是打通戏剧的壁垒,将新时期戏曲放在特定社会思潮中加以审视,并适当地以当时话剧的状况作为参照。由此出发,本文对戏剧观的争论、前后"三驾马车"的艺术业绩、新编历史剧的勃兴及其原因等进行了考察。在此基础上,本文探讨了"西潮"再东渐情势下形成的"中国式启蒙"的优长和局限及其对戏曲的影响,通过对戏曲作家中"巴蜀二将"的个案分析,肯定了新时期戏曲置身思想文化漩流时的主体姿态和突破、创新、解放、变革的文化精神。

The epistemological premises of this paper is that the mutual cultural inflow was incorporated into drama forming a background of the ethos of Xiqu during the new period. Its methodology goes beyond the boundary of drama and contextualize the newperiod Xiqu with particular mental tendencies of society, referencing contemporaneous activities of huaju （spoken drama/modern Chinese drama）. This paper then examines the debates on drama, the achievements of duo ＂triad dramatists＂, as well as the popularity of newly produced history plays and their motivations. It goes on to discuss the advantages and disadvantages of the ＂Chinese moddl of enlightenment＂ in the second round of the ＂western wave＂ in China, and it＇ s influence on Xiqu. An analysis of the ＂dramatist duo in Sichuan＂ is to testify the cultural ethos of the subjects posture, the breakthrough and creativity, the liberation and reformation of the newperiod Xiqu in the intellectual and cultural currents.