清初曲学的经史化取向——以毛先舒为例的研究

A Research on Xiqu Studies in the Early Period of Qing Dynasty: Taking Mao Xianshu as an Example

清初经学体系更新,走向复古返经、求真求实一途,并力求经世以致用。毛先舒以学者与文人双重身份涉足曲学,将曲学研究笼入正统学术研究视野,呈现出清初学术思潮影响下经史化的鲜明时代特征。作为音韵学家,他贯通曲韵与古音学研究,相互发明;作为经史学家,他的诗学理论含戏曲理论之于内,而其历史本位思想也深入影响了他对历史与戏曲关系的认知。

During the early Qing Dynasty, the study of Confucian Classics evolved significantly towards the restoration of the ancient traditions of the studying of elassics and the seeking truth, while aiming to apply this knowledge to reality. Mao Xianshu started to study Xiqu as an academic and literati. He extended the research into a classical aeademic regime, and his research showed notable influence on the academic trends in the early Qing Dynasty. As a phonologist, he connected the study of the rhyming in Xiqu and ancient phonology. As a scholar of Confucian Classics and historiographer, he produced eoncepts of Xiqu that were part of his poetic theories. His history-oriented thinking has profoundly impacted the research into the relationship of history and Xiqu.