对话的“失败”与独白的不可能——细读卞之琳的《断章》与余光中的《连环》

The failure of the dialogue and the impossibility of monologue——Reading Bian Zhilin's " Duanzhang" and Yu Guangzhong's " Lianhuan"

以卞之琳的《断章》和余光中的《连环》为例,从诗歌语言出发,摈弃"知人论世"、"以意逆志"的批评传统,对现代诗歌语言的内部空间和内在潜意识层面的情感结构转换以及现代性审美空间等方面进行了"发现"式的阐释。

Taking Bian Zhilin＇s ＂Duanzhang＂ and Yu Guangzhong＇s ＂Lianhuan＂ for example, this paper starts from the poetic language and abandons the criticism tradition of ＂seizing up people by their behaviour＂ and ＂understanding poetic idea with semantic meaning＂. It does discovery explanation of the internal space of the modem poetic language and feeling structure conversion at the inherent subcon- scious level and modem aesthetic space.