摘要
马克思恩格斯尊崇现实主义,对文艺的现实主义特征有许多理论阐释。时至今日,中国新生代导演在电影叙事中充分运用马克思恩格斯现实主义理论,从现实主义的真实性要求及其目的出发,着眼于日常生活,用细腻的艺术手法将现实生活的艰辛苦楚"以自己的方式"展现在大众面前。
Marx and Engels respected realism and much theoretical demonstration of realistic characteristics of art. Up to now, the Chi- nese new - born directors make full use of Marx and Engelsj art creation theory in film narration and starting from the real requirements and aim of "realism" , lay emphasis on daily life and show the vicissitude of real life in detail with their delicate art means and their own way.
出处
《新余学院学报》
2017年第3期128-130,共3页
Journal of Xinyu University