摘要
从20世纪四五十年代赵树理作品的研究中,我们可以看出,延安文学的人民性是在创作实践和理论争鸣中逐步确立的。从表面上看,赵树理的作品反映的是解放区大众的生活,体现的是毛泽东《在延安文艺座谈会上的讲话》的精神。但实质上,经过国内外学者的理论阐释,文学的人民性特征逐渐获得美学价值、形式创造、经典互文等多元意义,从而为文学的人民性赋予深厚的人文精神和时代意义。这种理论阐释不仅将延安文学确认为一种新文学,而且使其成为一种可以为中国社会变革代言的新经典。
Through research of Zhao Shuli' s works which covered the period from 1940s to 1950s, it was manifested that the nature of literature "affinity to the people" was established gradually from the creative practice and theoretical arguments. Superficially, the works of people like Zhao Shuli were the reflection of the people's life in the liberated areas, which was also the embodiment of Mao Zedong' s speech in the " Yan'an Forum on literature and art spirit". Essentially, characteristics of affinity to the people was gradually obtained its muhiple meanings in the form of aesthetievalue, structural creation and intertextuality through the theory illustration of scholars from both at home and abroad; thus humanistic spirit and epoch significance were incarnated in that nature, not only was it identified as a new kind of literature, but also recognized as a new classic which can speak for the Chinese social change.
出处
《中州学刊》
CSSCI
北大核心
2017年第5期142-147,共6页
Academic Journal of Zhongzhou
基金
国家社会科学基金重大项目"延安文艺与二十世纪中国文学"(11&ZD113)
关键词
延安文学
人民性
赵树理
期待视野
理论阐释
Yan'an literature
affinity to the people
Zhao Shuli
horizon of expectation
interpretation