摘要
敦煌变文作为地方性民间文学的代表,体现出敦煌百姓的审美特性和思想倾向。和传统的中原文化相比,敦煌变文由于所处年代,地域和受众的区别,蕴含着独特的民族观。其流民意识,边域意识及民间意识都不同于前代后世的中原文化。其中差别体现出在国力强弱,地域内外和执笔者文学素养等不同观照角度下的人文内涵。
Dunham bianwen, as a representative of the local folk literature, reflects Dunhuang people' s aes- thetic characteristics and mind - set. Compared with the traditional culture of the central plains, Dunham bian- wen, due to its age, geographical location and audience, contains a unique aesthytic outlook. Its refugee con- sciousness, frontiers consciousness and folk consciousness are all quite different from the central plains cultures both before and after them. The differences are mainly reflected in the different humanistic factors such as nation- al power, inside or outside the region and the different literary backgrounds of the authors.
出处
《海南热带海洋学院学报》
2017年第3期93-97,共5页
Journal of Hainan Tropical Ocean University
关键词
敦煌变文
边域
流民
意识
民族观
Dunhuang bianwen
frontier
refugee
consciousness
aesthetic outlook