创造的概念:论德勒兹“情感”理论的生成

德勒兹的“情感”理论是其哲学思想的核心概念，它对当下文化研究领域的“情感转向”思潮起到了重要作用。通过对斯宾诺莎、柏格森等人情感理论的梳理，可以看出德勒兹是从两个维度对“情感”进行阐释的：一方面是以情感为对象，对前人的情感理论进行了创造性的重释；另一方面则是以情感为方法，通过情感对文学、艺术等领域进行重新思考。于是德勒兹的“情感”具有了全新的内涵，它不是再现的、主体化的、静止的身体情状，而是身体／物体之间的彼此触碰和关系，是行动力量的流变，是生成，是强度的集合。所以对于德勒兹而言，其“情感”理论不仅是对前人继承吸收的结果。还是他对传统哲学和思维进行抵抗的方式。

The affect theory of Deleuze is the core concept of his philosophy and plays an important role in the ＂affective turn＂ which belongs to the current cultural study. By analyzing the affect theory of Spinoza and Bergson, it concludes that Deleuze explained ＂affect＂ from two dimensions. On the one hand, he takes affect as the object, and makes the creative explanation on the predecessor＇s affect theory. On the other hand, affect is the method. He re-thinks literature, art and other areas by this method. So Deleuze＇s ＂affect＂ has a new connotation and it is no longer an affection with representation, subject and static body, but contact and relationship between body/object and body/object. It is also rheological action force strength. So for Deleuze, affect theory is not o of the predecessors, but also the way to resist , becoming and a collection of nly the result of the absorption the traditional philosophy and thoughts.