时间的转向与呈现——论现象学时间观对贾科梅蒂绘画艺术的影响

Turn and Presentation of Time:On the Influence of Phenomenological Time View on Giacometti's Painting Art

贾科梅蒂在深入理解现象学时间观的基础上,把绘画探索的触角伸向了前人从未进入过的领域。他没有像写实性绘画那样客观地再现物象,也没有如印象主义那般试图捕捉转瞬即逝的光色变化,更没有主观地表现对象,而是在绘画中注入时间因素,把传统绘画中孤立、静止的时间点延展为连续、流动的时间段,竭力呈现物象在时间场域中生机盎然的构成状态。这是一种时间性的绘画,突破了绘画是空间艺术的内在规定性,拓展了绘画艺术的新领域。结合现象学时间观,分析贾科梅蒂绘画从超现实主义转向对时间探索的缘由及呈现时间的具体方式。

On the basis of deep understanding of phenomenological time,Giacometti extended the tentacles of painting to the areas where the predecessors had never entered.He did not objectively reproduce the image as realistic painting,nor did he try to capture the fleeting light color changes,such as impressionism.He did not subjectively express the object,but put the time factor in the painting,extended the isolated,still time point in traditional painting to continuous,flowing time period,trying to show the image in the time field full of vitality.This is a kind of time painting,which breaks the inherent nature that painting is space art,and expands the new field of painting art.Combined with the phenomenological view of time,this paper analyzes the reason for Giacometti's painting from the surrealism to exploring time and the specific way of presenting time.