摘要
将话语分析理论用于诗歌批评,讨论诗歌话语形式的两个方面:话语方式和话语参与者。诗歌选择了对话体和独白体作为话语方式;诗歌话语实现了发送者和发话者、受话者和接收者的分离,发话者和受话者存在于文本之内,发送者(作者)和接收者(读者)存在于文本之外。这样,诗歌话语的“交流”行为既存在于文本之内也存在于文本之外。
Poetry as discourse is written in dialogue and monologue, and the separation of sender and addresser as well as addressee and receiver leads poetry as discourse to having four participants. All of this determines that the communication of poetry occurs a-mong addresser and addressee, and sender (author) and receiver (reader) inside and outside a poetic text.
出处
《四川外语学院学报》
2002年第3期20-23,共4页
Journal of Sichuan International Studies University