摘要
2017年伊始，宋冬举办了其在国内最大规模个展，从颠覆一个儒家传统的价值观体系出发．对自身创作脉络与创作语言进行宣言式的回顾。艺术家选择以“镜、影、言、觉、历、我、明”章回体的叙事机制运作展览空间．不仅回应了上海外滩美术馆的建筑结构，并且以此牵扯出三十年来创作实践的完整面貌。
At the beginning of 2017, Song Dong hosted his largest solo exhibition in China. Starting from a value system that subvertes Confucian traditions, the artist conducted a retrospective manifesting his creative trajectory and artistic language. He chose a narrative mechanism expressed through chapter titles--mirror, shadow, word, rev- elation, experience, self, illumination--to activate the exhibition space.
出处
《艺术界》
2017年第3期184-185,共2页
