摘要
在二维平面上呈现娜布其的雕塑几乎是一个悖论。画面中的雕塑失去了原有的尺寸和比例，物体与身体在空间中的相对关系成为悬疑，雕塑家的工作中至关重要的身体性从而被消解。
Showing Nabuqi＇s sculpture on a two-dimensional format presents a paradox. Pictured within a frame, the sculpture loses its original size and scale; our bodily rela- tion to the sculptural object--an essence of the sculptor＇s work--is thus suspended. However, the frozen image of the sculpture highlights another dimension of the sculp- tor＇s creation--a view of an abstract landscape that is only accessible through visual signifiers and imagination.
出处
《艺术界》
2017年第3期200-200,共1页
