摘要
本文以云南元阳阿者科村的公共艺术"哈尼娃"为例,从作品整体设计、在地性、组织运作等方面进行了分析,探讨了公共艺术在传统村落保护前提下如何参与新农村建设,如何发挥积极的作用,并指出公共艺术正从静态走向动态,走向多元化的发展。
The article took the case study on public art practice in Azheke old village, Yuanyang County, Yunnan province. It analyzed the overall design, regional characters and operation system of the public practice project and tried to discuss how public art practice played an active role in the new countryside construction under the condition of protection of traditional village. It pointed out that public art is undergoing the way that from static to dynamic, to pluralistic development.
出处
《公共艺术》
2017年第3期42-46,共5页
Public Art
