摘要
回顾2010年ECFA协议签订至今"情牵两岸"题材的合拍片,可以大致分为大陆寻根、赴台旅游、两岸联姻这三种情节模式。这些影片是由两岸影人共同创作,由台湾导演执导,在人物关系上设置两岸双主角,叙事空间涉及两岸双城,剧情中巧妙融入两岸文化的勾连,探讨超越地域文化差异的中华文化认同,从而打破了观众的观影屏障,致力于唤起两岸民众共同的民族情感和意识,构建清晰、准确的国族认同。
The co-produced films of the 'Connecting the Two Sides' theme made since the signing of the 2010 ECFA Agreement can be roughly divided into the plot patterns of 'searching roots in the Mainland', 'traveling to Taiwan', and 'cross-strait connection'. These films are co-authored by writers from both sides and directed by a number of Taiwan Residents directors. In the relationship between the roles the films set up cross-strait main roles and the narratives also include cities from both sides of the Strait. The plots are skillfully integrated into the crossstrait cultural connections while at the same time exploring the cultural differences beyond the regional identity, thus breaking the audience's viewing barrier and awakening the shared national feelings and awareness.
出处
《南京艺术学院学报(音乐与表演版)》
北大核心
2017年第1期119-123,共5页
Journal of Nanjing Arts Institute:Music & Performance
关键词
ECFA时代
合拍片
文化认同
国族认同
ECFA and the Times
co-produced films
cultural identity
national identity