摘要
电影《驴得水》女主角张一曼心怀理想支援乡村文化建设,希望构建自己的乌托邦,但父权文化彻底摧毁了她的乌托邦,她的话语权被剥夺,形象被毁灭,生命被消亡,其他两位女性同样也是男权社会的塑造品。
This article from the visual Angle of feminism, on lacan's mirror image, analysis the movie Donkey to Water heroine the basis of the theory of Freud's psychoanalysis and Zhang Yiman image rather than the root of the tragic fate in the film, and connecting with the other two female characters in the film, the analysis of women in the patriarchal society's survival and development.
出处
《韶关学院学报》
2017年第4期17-20,共4页
Journal of Shaoguan University
关键词
《驴得水》
张一曼
精神分析
拉康
Donkey to Water
Zhang Yiman
Psychoanalytic theory
Lacan