摘要
中华人民共和国成立以来,壮族原生态民歌经历了"20世纪50年代至70年代末""20世纪80年代至90年代末""21世纪初至今"等三个转型发展阶段。壮族原生态民歌通过"与时俱进,推陈出新,美美与共"模式融入现代流行音乐。壮族原生态民歌融入流行音乐推动了壮族原生态音乐的现代转型与发展,促进了壮族原生态音乐的"文化整合"与"文化自觉"。
Since 1949, Zhuang original ecological folksongs have experienced three periods of transfor- mation, i.e. 1950s-1970s, 1980s-late 1990s and early 2000s -till now. These folksongs have integrated with modern pop music by modes of keeping pace with the times, bringing forth the new and sharing the beauty, which drives the transformation and development of Zhuang original ecological folksongs and promotes its cultural integration and cultural consciousness.
出处
《广西民族大学学报(哲学社会科学版)》
CSSCI
北大核心
2017年第3期116-119,共4页
JOURNAL OF GUANGXI MINZU UNIVERSITY:PHILOSOPHY AND SOCIAL SCIENCE EDITION
关键词
壮族原生态民歌
流行音乐
文化融合
Zhuang original ecological folksong
pop music
cultural integration