原型理论视角下《简·爱》的另类解析

A different analysis of Jane Eyre under the perspective of prototype theory

借鉴荣格的原型理论观,对《简·爱》进行文本的细读和分析,我们认为简爱体现了作者夏洛特的人格面具,疯女人伯莎体现了她的心理阴影,罗切斯特代表了她心中和现实中整合为一的阿尼姆斯。三者之间的相互协调与变化,就是夏洛特"自身"现实化得以实现的过程。这一过程又体现了作者的女性主义观点:女性主义者的终极目标不仅要解构男权中心主义,也要消解女性主义,以此来构建两性和谐关系。

Under the perspective of Jung＇s prototype theory, and by means of close reading and analysis, this thesis argues that Jane is the embodiment of Charlotte Bront＇s persona, Bertha, the crazy woman, is that of her psychological shadow, and that Mr. Rochester symbolizes the combined animus both in her inner heart and reality. The coordination and change of persona, shadow and animus is the realization process of Charlotte Bront＇s self actualization. This process shows Charlotte Bronte＇s perspective on feminism that feminist＇s ultimate goal is not only to deconstruct male chauvinism, but also to eliminate feminism, and to establish a kind of harmonious bisexual relationship.