摘要
在比较视阈中研究格罗塞的艺术起源论,就其研究路径的合理性、理论前提的批判性及具体论证存在的缺陷进行分析,梳理了格罗塞艺术起源理论的文化背景,并阐明了格罗塞功利主义的艺术起源论对于审美无功利理论的反拨意义。
In comparing horizon,this paper research the theory of artistic origin of Ernst Grosse,analyze the rationality of the theory path,the criticalness of the theory premise,and the defect which exists in the concrete demonstration,combed the cultural background of the theory of artistic origin of Ernst Grosse,and clarify the washback meaning of utilitarianism artistic origin of Ernst Grosse to disinterested aesthetic theory.
出处
《广西科技师范学院学报》
2017年第3期92-96,共5页
Journal of Guangxi Science & Technology Normal University
关键词
艺术起源
现代原始民族
审美无功利性
the beginning of art
Modern primitive nation
Aesthetic non-utilitarianism