摘要
文章将唐代字样书《五经文字》与《说文》系字书、唐代其他字样书加以比对,通过探析立部编次的更革,彰显部首发展演变特征及相关正字理念.《五经文字》承上启下,在部次方面更加重视字形的结构属性,扬弃了“为字”类字样书的声韵编次体例,更革了《说文》系字书的部次体例,最终形成了以汉字构形为主线系联部首体系的模式,这一初具现代字典学的编次理念影响深远,为后世工具书编纂提供了重要启示和借鉴.
This paper compared “WuJingWenZi”(《五经文字》) to “ Shuowen JieZi”(《说文解字》) and works of “Zi Yang”( 字样 ) in the same time. Through the changesof radicals and its arrangements, this paper studied the features of the development of radicals and thoughts of Chinese characters’ regulation related. With a connecting position, “WuJingWenZi”(《五经文字》) paid more attention to the structure property of the figure of Chinese characters. It abandoned the style depended on rhyme of works of “Zi Yang” ( 字样 ) named “Wei Zi” ( 为字 ) . And it developed the style of dictionaries similar to “Shuowen JieZi”(《说文解字》).Finally, a radical system mode connected by a thread-character shape set up.The influence of the order arrangement idea is far-reaching which primary belongs to modern lexicographie. Also it provides useful revelation and reference for compiling reference books in later ages.
基金
教育部人文社会科学研究青年基金“唐代字样学与石刻用字比较研究——以语料库为基础”(项目号:13YJC740062)资助
关键词
《五经文字》
部首
辞书学
字样学
“WuJingWenZi”(《五经文字》)
radicals
“ZiYangXue”( 字样学 )
lexicographie