摘要
扬州影园始建于明末,由园主人郑元勋与造园家计成合作而成,是扬州文人园林代表作之一。从郑元勋《影园自记》等文献可见,影园在其构思立意、基址选择、总体格局、建筑空间、叠山理水、植物配置等方面具有独特的造园思想与美学意境。吴肇钊绘制的影园复原(建)图在影园的基址选样与空间布局、尺度及与外界的联系方面存在着许多可商榷之处。在尊重历史和文献史料基础上进行影园复原研究,分析影园的外环境及其内部山水、建筑的空间关系,挖掘影园的造园艺术和审美思想,再现影园的历史面貌和美学境界,无疑具有重要的理论价值和现实意义。
Yangzhou Shadow Garden, constructed at the end of the Ming Dynasty, was the collaborative work of its owner Zheng Yuanxun and the garden designer Ji Cheng. It is one of the representative works of Yangzhou gardens. It can be seen from Records of Shadow Garden by Zheng Yuanxun that Shadow Garden contains unique design philosophy and aesthetic atmosphere in terms of its design concept, site selection, overall layout, architectural spaces, mountain piling and water settling, planting design, etc. However, Wu Zhaozhao's restoration plan of Shadow Garden deserves further considerations and discussions. It is of theoretical value and practical significance to conduct the restoration study of Shadow Garden in respect of the historical literature and documents.
出处
《扬州大学学报(人文社会科学版)》
2017年第3期112-121,共10页
Journal of Yangzhou University(Humanities and Social Sciences Edition)
基金
国家自然科学基金委员会基金项目(31470030)
关键词
影园
《影园自记》
造园艺术
复原研究
Shadow Garden
Records of Shadow Garden
garden design
restoration study